Cinematic visual effects: CSS Custom Filters, now available in Chrome Canary, enables sophisticated visual effects, for a richer, more engaging experience on the Web.The proposed CSS Compositing and Blending specifications will give Web designers the option to use blend modes they are already familiar with from Photoshop. Foundational graphics: The proposed CSS Transforms specification will make it easier for authors to apply geometric transformations to HTML and SVG content consistently.Layout: With CSS Regions and CSS Exclusions, Web designers and developers will be able to create responsive magazine-like layouts on the Web.These contributions are helping to advance the Web by making it a more expressive platform in key areas, including: “We are passionate about enabling creative people to do anything they can imagine with Web technologies, which is why we’re contributing to the Web platform and making the Edge Tools & Services available for free, including the first release of Edge Animate.”Īt the keynote, Adobe also outlined a number of recent contributions it has made to the Web platform in cooperation with the standards and open source communities. To learn more about Creative Cloud, visit “We are excited to put a powerful new set of HTML5 tools into the hands of Web designers and developers and can’t wait to experience the beautiful websites, digital content and mobile apps they’ll create,” said Danny Winokur, vice president and general manager, interactive development at Adobe. Membership also includes online services for file storage, sharing, collaboration, and publishing to the Web and mobile devices. Paid members can download and install all Creative Suite 6 desktop applications, as well as other applications including Adobe Photoshop Lightroom and Adobe Muse. Available with both free and paid memberships, Adobe Creative Cloud is a hub for making, sharing and delivering creative work. ![]() Edge Animate and the other Edge Tools & Services are available today with a free membership to Adobe Creative Cloud. Edge Animate has already proved a runaway hit with over half a million preview downloads. ![]() Adobe also demonstrated a sneak peek of Adobe Edge Reflow in anticipation of a preview release expected by the end of the year.Īdobe also announced that the first release of Edge Animate, normally priced at $499, will be made available for free in order to encourage Web designers to create using the interactive capabilities of the modern Web. During the keynote session, hosted by chief technology officer Kevin Lynch, Adobe introduced Edge Tools & Services and announced immediate availability of Adobe Edge Animate 1.0, Adobe Edge Inspect 1.0 (formerly codenamed “Shadow”), Adobe PhoneGap Build 1.0, Adobe Edge Web Fonts and a preview of Adobe Edge Code. ![]() At its Create the Web event, Adobe Systems Incorporated today unveiled an innovative set of tools and services to help designers and developers more easily create beautiful websites, digital content and mobile apps using the latest Web technologies, including HTML5, CSS3, and JavaScript.
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![]() That’s hopeful if vague, and really The Hobbit remains a sour spot for me and my opinion of Jackson’s filmmaking. “We look forward to speaking with them further to hear their vision for the franchise moving forward.” “Warner Brothers and Embracer have kept us in the loop every step of the way,” Jackson and Lord of the Rings cowriters Fran Walsh and Philippa Boyens said in a statement. Director Peter Jackson might be involved in some way, though this is not confirmed (or denied). Now we grit our teeth and wait for the beating. Before Amazon’s disastrous attempt at televising Middle-earth, fans might have greeted this news with the optimism of naïve children. Indeed, The Rings Of Power hangs above all of this like a dark shadow. Who will walk in the giant footsteps of Ian McKellen as Gandalf? Who would want to follow in the stride of Viggo Mortenson’s Aragorn? We already know how awful it must be to try and replace Cate Blanchett as Galadriel. A remake of such recently made films will suffer from constant comparison. In two of these three scenarios I see disaster. Give me all your money, dear readers, and we’ll make it together. A wild fantasy that will likely only happen if I somehow become a billionaire (or befriend one) and can suddenly afford to purchase rights to such an ambitiously modest project and then pay to have it made. My own dream- to adapt The Lord Of The Rings trilogy into a 2D-animated limited series that hews as close to the books as humanly possible-is just that: A dream. Third, to follow Amazon’s example with The Rings Of Power and just completely ignore the source material altogether, instead creating wildly expensive fan-fiction while giving fans the proverbial bird.There are stories in The Silmarillion that could make excellent films, though this would require a great deal of skill and care (two things that often seem to be missing in Hollywood these days). Still, it’s possible and could actually be quite exciting if done well. The trick is that’s really a collection of stories and fables and legends that would be extremely difficult to translate to the big screen. Second, to tap into some other Tolkien story such as The Silmarillion.Legolas will be a woman, the Hobbits will be Harfoots and so forth. The basic story remains the same, but with better special effects and a more diverse cast to appease modern audiences (or, rather, modern media critics). ![]() First, to remake the movies to suit modern times.when it comes to making new Lord of the Rings movies: The way I see it, there are essentially three options for Warner Bros. ![]() Years and years ago I wrote a piece for The Atlantic wondering when this obsession with adapting fantasy into movies and TV would wear off-and, of course, since then it’s just gotten more and more popularized and mainstreamed. As much as I want to be excited for more Lord Of The Rings I can’t help but think that mostly it’s all just a pale shadow compared to the books I fell in love with as a child. |
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